Introversion and Extroversion
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AboutPicturePicture,owntoall,effectivepictureisnotonlyimage,,thisisagoodmeasureforevaluatingagood,hiclanguagelikeword,itisnotapictureasweexpected,butabroadstrokeofcolour,awordorsomethingelsethatforms hiclanguageisoneofthemostimportantlanguagesofcommunicationinposters,books,packages,tterhowdevelopedthemediatechnologyinthefuture,iversityofaestheticsbetweenChineseandWesternManydifferentcharacteristicsexistedin ously,meaninglesstolookonthephenomenonofartregardless rstly,weshouldunderstandthebasiccharacteristics eseOnChineseaesthetics,themostnotablecharacteristicisemphasizingasenseofunderlyingharmony,smisoneofthemainreligionsinChina,eseaestheticswasinfluenceddeeplyby sTaoisttheorythatthingsbroughtintocontactwitheachother,orarrangedtogether,influencedeachother.(PhilipRawson,LoaszloLegeza,1973)ItssymbolYin-Yang,composedbymutualblackandwhite.
Itmeansthephysicalworldiswholeofinseparabledifferences,eexistsnoYangwithoutYininit,norYinwithoutYang.(PhilipRawson,LoaszloLegeza,1973)Theobjectsrepresentedinapaintingwillhave theirproportionsofYangandYincarefully combinedandharmonized.(PhilipRawson, LoaszloLegeza,1973)Forexample,mountain andwater,heavenandearth,lightanddark,ndscape,wecanfindthesefactorscomposedaspectacularandeternal rasmodernposterisconcerned,communicationisits
Itmeansthephysicalworldiswholeofinseparabledifferences,eexistsnoYangwithoutYininit,norYinwithoutYang.(PhilipRawson,LoaszloLegeza,1973)Theobjectsrepresentedinapaintingwillhave theirproportionsofYangandYincarefully combinedandharmonized.(PhilipRawson, LoaszloLegeza,1973)Forexample,mountain andwater,heavenandearth,lightanddark,ndscape,wecanfindthesefactorscomposedaspectacularandeternal rasmodernposterisconcerned,communicationisits
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